In Erica Sheu’s fleeting, impressionistic It follows It passes on, post-war family memories of the Taiwanese Kinmen Islands are seen as if through broken glass, summoned by way of incense, ceramics, sand, light, and shadows.
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In Erica Sheu’s fleeting, impressionistic It follows It passes on, post-war family memories of the Taiwanese Kinmen Islands are seen as if through broken glass, summoned by way of incense, ceramics, sand, light, and shadows.